This interview is from a late bloomer, I would say.  But he definitely has the skills to get far quickly.  I am talking about Chad Armstrong and his company LC Films.  He has the skills to go far in a short amount of time.  And as far as his company goes, it is there to help all independent filmmakers, who want their visions seen.  But without further ado let's see what transpired between us, here is his 10 questions:

     S. 1.  Did you do have any college to prepare you for filmmaking?

     Chad Armstrong (CA):  1: I actually majored in Theater Arts, however I didn't take many filmmaking classes. I had the pleasure of meeting Robert Rodriguez when I was in my teens at a Fangoria Weekend Of Horrors convention in the late 1980's, his advice was to take the money I would spend on film classes and make films. I took that to heart and shot about 15 short films in the following ten years. Best advice I ever got.

     S:  I love Rodriguez work I wish I met him, that's awesome advice.

     S: 2.  Did you start making short films or jump head first into full length filmmaking?

     CA: 2. As per my last answer, I shot a ton of short films in my teens and throughout my twenties. It was back in the days when everything was shot on film, and editing was a bitch, by hand rolling the print through the monitor, splicing and gluing the film together. Much more tedious than making films today.

     S: That sounds awful, but we do a lot to see our films become reality, I did a short (award winning) with a friend and was willing to put a mouthful of maggots on me and my face but FX man stepped in to do it.

  S: 3.  With so little directing experience, what would you consider the best attribute you've learned?

             CA: 3. Well I would say I have little experience in directing feature films, but not directing in general. The best attribute I've learned is the new techniques available today. After my short films early on I took about 15 years off of making films, moved to Alabama. So when I got back into it, it was a whole new process, sure camera setups are the same, but lighting for digital, editing, and sound have a much more different process. I have learned a lot in the process of shooting my current film Deimosimine, I learn something new everyday and it's great to have technically knowledgeable people surrounding me to keep me grounded.

              S:  I really didn't know how many films you had done, my bad, but the process being so much easier is great for new filmmakers can get their visions to screen easier.

   S: 4.  What is your all-time favorite horror film?

              CA: 4. There are so many it's hard to really say. But Blood Beach and Scanners will always have a soft spot in my heart. Those were the first two horror films I saw when I was very young, for some reason my dad felt it would be a good idea to take my brother and I to a drive in double-feature of both. But the film that got me into makeup fx and horror movies in general was A Nightmare On Elm Street. I know it's cliche to say, because everyone does but I guess that just shows how amazing that film was, and that it spawned a whole army of aspiring little filmmaker's and horror addicts.

              S:  Nobody has said any of those three, so you have laid claim to it. lol. Couldn't agree more with Scanners or Nightmare never seen Blood Beach so I guess I need to check it out.

   S: 5.  You made the decision to start your own company, Legless Corpse Films, now LC Films, how or why did this come about?

              CA: 5. I actually made some of my early short films under the name LeglessCorpse Films (Leglesscorpse is from Return Of The Living Dead, the little zombie with no legs was credited in the in credits as LeglessCorpse and it stuck with me). So about three years ago I was diagnosed with Heart Failure and my heart was only pumping 15% of my blood and almost died. During that time I couldn't work for over a year so I started a horror news site so I wouldn't die of boredom. So that's really how LeglessCorpse was resurrected after all those years.

              

     S:  I'm glad you're okay, cause you've definitely got a voice in the horror genre that needs to be heard.

    S:  6.  Now you opened your own distribution company, as if your plate wasn't full enough, was this out of necessity or to help other indie filmmakers with deals to spread the horror?

              CA: 6. It was, I heard so many horror stories of filmmakers getting ripped off by distribution companies.  Companies that wouldn't take the chance of releasing indie horror films on BluRay and just on DVD, and that got me thinking to give it a try.  We are no where we want to be yet, but we are growing, it's a VERY tough business, and for a very small team with a lot it's even tougher. But we are doing our best to grow, keep fans happy and are always learning new things, new distribution outlets, which ones work, which ones don't for the indie guys.  So our business module changes as we continue to test the waters.

                S:  That should be awesome to hear to other indie filmmakers, that you're there if they can't find a good distribution deal.  I would give you mine, saying I finish a movie, trying very hard for camera to start something.


               S:  7.  What do most people not know about Chad?

     CA:  7.  Probably the heart failure thing. I try not to harp on it to much, but when you know you could at any time, drop dead , lol you tend to drive yourself harder and make sure you get as much accomplished as you possibly can. That was an inspiration to make our feature film Deimosimine, because it's something I've never done and said I always wanted to do, so I'm making sure I'm doing it. Funny thing is after Deimosimine wraps we are moving straight into Blood Dancers 2, which we acquired the rights to last year. So looks like I will be able to do at least two before the ride of life is over. Of course I'm hoping to do many more, but you just never know and can't take life for granted.

              S:  I must agree I have Nash's disease, and need a liver transplant, also very weak immune system another pancreatic attack could kill me.  I want to do a movie so bad, but have to save all vacation time from work for impending transplant, so I feel your pain.  Just glad to know dreams come true always gives me inspiration.

     S:  8.  Your newest film, Deimosimine, looks old school 80's horror, was that intentional?

                CA:  8. Of course, especially with the practical FX. There is a big boom right now for 80's style horror, with filtered film grain, picture noise, etc. We didn't want to go that route. I mean what's the point in shooting 4K if you are going to make it look like VHS? However, we are keeping the practical FX and creatures very 80's style, it will have it's campy moments but over-all it's a very dark film and my partner and writer Andrew Thompson did an amazing job on the script, so we don't want to make it into a camp-fest. That's what Blood Dancers 2 will be fore.

                 

       S:  That is a good point, I've seen a lot of 80's style coming out, but not with such a creature aspect to, which truly looks great in this film.

       S:  9.  Would you prefer CGI effects over practical FX if given the choice?

                 CA:  9. I'm not a huge fan of CGI. CGI has it's place when complimented with practical FX, which we have some shots like that in Deimosimine. But CGI blood, and 100% CGI monsters look fake. Now don't get me wrong, most practical FX creatures look fake too, however they are organic, physically there in front of you, to me that's more pleasing to see.

        S:  I couldn't agree more, some big name movies looks worse with CGI than if they would have went practical.  The perfect example to me would be when they added CGI to original Star Wars, looks made it very blatantly cheesy looking.  Total CGI on remakes is different but almost all the time, to me, originals are better.

        S:  10.  Do you believe that crowd-funding campaigns are an easier route to fund projects or do you need to find solid backers?

                  CA:  10. Crowd funding sucks, but unfortunately it's a necessity for indie filmmakers to get their movies made these days. The market is so saturated. It's not like it was back in the days when someone would invest 100K into a project because it was going to be one of 3 horror movies hitting the theatre's that year and they knew they would get their money back. Anyone can get their films onto Amazon Video these days, no matter how bad or good it is, so if you are a true indie filmmaker and want to make more films in the future, you have to think like a businessman and a PR person. You can't just release your film and let people try and discover it, you have to keep reminding people, keep pushing it, spend a little on a PR company and care about your film enough to do so. Keeping your return on investment in mind with every penny you spend. Sorry I derailed there. Short answer to the question is solid backers are much better, however you're more likely to raise funds from crowd funding than finding an investor that's going to fund your movie these days. 

                   S:  Great answer, seems that is the new trend, but I do understand people are tighter with their money nowadays.  Crowd funding gives true indie horror lovers a piece of the action never offered before also and we do get psyched about what little we can.  Most people don't, I think, understand how much extra work it puts on filmmakers and actors signing and buying trinkets that are given away for what little they pay.

That was another wonderfully fulfilling interview with  a great up and coming filmmaker, the sky is the limit for these new faces of horror.  Chad Armstrong may be a late bloomer but from the action and stills from Deimosimine looks awe inspiring.  I can't wait to get my hands on my copy, and also see what else is up his sleeve.  I appreciate all you do Chad and am so thankful from the bottom of my bleeding heart, thanks for the interview.  SUPPORT INDIE HORROR